Hamari Adhuri Kahani, directed by Mohit Suri, the magician of love, and written by Mahesh Bhatt, the creator of emotions, miserably fails to ignite that intensity.
What I felt after asking some viewers at the theater: characterization part is completely missing. There is no bond, no attachment, no feeling for any of the characters by the audience.
However, having said that, the weakest link in this romantic ultra-melodrama is logic. There are huge, massive loopholes in the script, and often I was amazed how they can justify that. The timeline of the movie, the gadgets used and the over usage of tears; everything is done without any research into reality.
The plot is pretty simple: Married Vidya Balan falls for Imran Hashmi, the billionaire. However, Rajkummar Rao, her husband does not want to let go of her.
With a a triangle love story, there can be immense possibilities; if you add the Naxalite angle or of you include Dubai as a location or the office romance thing. But, the director decided to get stuck with the age old formulaes; infact, those mangalsutra sequences and all tears for the ‘pati’ and ‘suhag’ stuff made me cringe in disbelief.
I was confused: why they have to go back to history, the previous blockbusters to ensure success in 2015? Why are they so afraid to try out something new, something unconventionally romantic. The love, and the purpose of love both have changed.
Fortunately, this was the first movie where Emran doesn’t kiss; and unfortunately, this was the worst movie of Vidya I ever saw. She performed amazingly well, and carried out the cliché` dialogues in the most honest manner, but even her sparkling blue big eyes failed to save this movie.
I had that sinking, depressing feeling all through the movie; as if love is only a mirror back of pain and hurt and stuff. It neither arouses empathy nor any false hope; it simply narrates an unfortunate story, in the most uncreative manner.